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By Jonathan Halls
Producing a podcast is relatively simple. In this very brief
overview we will only look at the production process itself.
There are
many different production techniques you can use as you follow
this process and they are treated separately on this website.
We've divided
the production process into five steps.
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Planning your podcast
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Scripting your podcast
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Gathering content
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Presenting your podcast
-
Editing
your podcast
1.
Planning your podcast
The first stage in the podcast production process is planning.
There are three levels of planning. First, determining your editorial strategy. Second, deciding
content. Third, planning the production.
Macro & structural planning
Planning your podcast starts at the macro level. If you plan to
podcast a series of episodes, this stage of planning will ensure
each episode is consistent and ties into your overall theme.
To ensure consistency, you first need an editorial strategy.
This is a mantra that you can refer to when making editorial
decisions. For example, when you are thinking about what topics to podcast on, interview people for, what language to use and
length of your podcast or an element of it.
Having this will focus your energy as you produce your podcast.
It will also speed up production because you won't need to stop
constantly to think through issues. We go into this more in our
article,
Planning your podcast.
Content planning
The second element of planning is your content. You've got a
format and know that you want your series of pods to be 8
minutes long, with one interview and a 30 second comedy drama.
But who do you interview and about what do you interview them?
I had the privilege of working with some of the world's best
television trainers when I ran the BBC's production training
department. A lot of delegates would fly into London from
around the world to do our renowned multi-camera television
(studio) directing course.
They were often perplexed and anxious that so much time at the
beginning was spent outside the studio and in rooms planning
their exercises. You see, success comes from planning
properly. "Winging it" with content ultimately will let you
down.
Content planning also involves researching information for your
commentary and finding interesting guests. Before you pick up
your microphone, interview recorder, download sound effects, or
record creative jingles, make sure you have planned your podcast.
Production planning
The third element of planning your podcast is planning your
production. This is the sort of thing experienced professionals
often do on the back of a cigarette pack. It's not rocket
science, but you do need to do it.
I always suggest you plan a production timetable that includes
when you'll be interviewing someone, when you will write your
script, when you will record it and when you'll package it. In
many ways, it's basic project management skills. If you
plan to be big with your podcasts, you should plan your
production carefully.
2.
Scripting your podcast
Before you write a script, research your material and make sure
you get all your facts right. Be very clear about what you want
to say.
Once you have your material, you need to write the script. A
saying often taught to radio broadcasters is, “the best ad-libs
are scripted.” This applies to podcasts.
Have you ever found yourself re-recording a telephone voicemail
message because you forget something or end up adding a silly
phrase you later regret? This can happen when you open the
microphone and start presenting the podcast. Avoid this by
being prepared with the script.
Your script should be easy to read with plenty of white space so
you can underline words you may want to emphasize. It will also
include your sound effects and any music you choose to use. We
talk more about this in our article,
Scripting your podcast.
3.
Gathering your content
Really interesting audio podcasts feature more than just one
person, pontificating about life. They're about the
content, not the person on the microphone. Sure, the
person who presents the podcast may be a major attraction.
But unless you're a real celebrity, it's your content that will
draw listeners.
The
sorts of content that will give your podcast more life includes:
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interviews
either in your podcast studio, over the telephone or on
location,
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vox pops,
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actuality and
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interactive
phone messages.
Would you like to learn more about conducting interviews and vox
pops that sound professional and add value to your podcast?
CLICK HERE to
check out our new section on Podcaster's Portal that focuses
exclusively on audio interviews and offers loads of free tips.
Vox pop comes from the Latin "Voice of the People".
This term is used by broadcasters to describe short sharp
comments people make about an important subject. Usually
you will have four or five such short comments and they are
edited together so that the listener hears them all in a row.
For
example, if you are doing a learning podcast on customer
service, you may have a series of four people expressing what
they expect good customer service to look like.
Actuality refers to special sounds you need to convey a
message - perhaps it is a crowd roaring, or even the relevant
part of a speech.
Actuality could refer to a 10 second soundbight of Barack Obama
talking about taxation or the actual sound effect of an airplane
landing. Generally these are recorded on location.
CLICK HERE for
tips on how to make good audio recordings when on location.
Interactive phone messages are simply edited excerpts of
messages left on your answer phone. These are great for
podcasts because you can include them and create the feeling
that your regular podcast is really interactive.
For
example, say you do a podcast about your favorite baseball team
and you make some controversial comments about your team's
coach. You could encourage your listeners to phone your
answering service and leave their comments. Then you
choose four or five that represent the general feeling of
listeners and then edit them down to feature in your podcast.
OK
- so we've quickly looked at the kind of content you may gather
to make your podcast sound more interesting and engage your
listener. Now the most important point. You need
gather this material first.
This is why planning is so important. At the outset you
need to know what your podcast is saying editorially and will
achieve for your listener. You then need to consider what
content you need to achieve this. Then you need to plan to
gather it.
When you first start out, draw up a production plan. Once
you're used to making podcasts you'll be able to do a lot of
this in your head. But when you start, teach yourself to
do this in a disciplined way.
If
you find yourself having to create loads of podcasts to strict
deadlines, you'll find this discipline is invaluable.
4.
Presenting your podcast
The next stage is to actually deliver it onto disc or tape.
When you do this, take a break and speak slowly and clearly.
If you have difficult words, practice them very slowly, syllable
by syllable, before speaking them at regular pace. Complex
words do take practice. For example, meteorology.
The three areas we suggest you concentrate on to improve your
vocal presence is your breathing, diction and expression.
Breathing and projecting from your diaphragm gives your voice
more authority. Clear diction will improve your credibility.
And improving your expression will make you more dynamic to
listen to.
Of course, no matter how good you are, you can't do much with a
lousy script so make sure you write good scripts. We cover this
in more detail in our article,
Presenting your script.
5. Editing your presentation
You will probably record your piece onto a PC and edit it.
Perhaps you are using Adobe Audition or Pro Tools. We recommend
you use freeware software such as Audacity which has everything
you need for podcasting. It only costs you your time and
bandwidth to download off the Internet.
When you have recorded your piece, you will edit in any sound
effects and music. Be careful to monitor the levels so your
voice is not clipped. And look out for the balance between
music and voice. Music that drowns out your speech takes away
from your story. The same applies for sound effects.
Summary
You may notice that the area of production we talked about most
is planning.
One of the regular experiences I used to have teaching
broadcasting was having a new student say to me, "just teach me
how to use the studio because I already know how to talk."
It
was usually these people who who thought broadcasting was simply
about talking, who made awful cringe-worthy programs.
Anyone who thinks they are a good talker and can make an easy
transition to podcasting is deluding themselves.
Podcasting is a brand new method of audio communication on a
brand new medium, the Web. Creating a conversational and
engaging podcast is not the same as having a conversation in
Starbucks. Creating an interesting podcast takes careful
planning.
The technical side of production is important and will take a
while to learn. But once you've mastered the techie side
you'll discover the really difficult part of production always
takes place inside
your head as you plan your content.
The better you train your mind to think through your
editorial content so that it truly is about podcasting and not
just a flippant "open the microphone and talk experience", the
better it will work for your
audience. Make sure you invest the time to plan, plan and
plan.
People often ask me how much time they should spend planning.
It's not right to suggest one size fits all because sometimes
you simply need to dedicate a lot of time to gathering audio
content. But for the average podcast, I would seriously
question the value of spending anything less than 25% of overall
production time on planning.
I
personally spend about one third of my production time on
planning. (Unless it is a very big production with loads
of interviews and inserted content.) And that planning
saves me a lot of time in gathering, presenting and editing.
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