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By Jonathan Halls
The choice you make as an interviewer is with whom you establish
the relationship. Of course, one party has to be the listener.
But do you set the relationship up to exist either between the
listener and you, or the listener and your guest?
In personality talk radio - especially ‘shock jock’ style – the
relationship exists between the listener and the presenter.
This changes the role of the contributor to be merely a prop for
the presenter’s ego. His or her role is to be drawn into the
conversation to prop up the presenter.
In factual radio and audio, the relationship should exist
between the listener and your guest. That means you’re
secondary to the guest as far as your listener is concerned.
Your role is one of facilitator.
The reason this distinction is important is that it helps you
distinguish your role in the podcast interview. Are you a
personality or are you a facilitator? We’ll focus on the
factual interview style.
Your Role as Podcast Interviewer
As a factual interviewer, your job as a podcaster is to ask as
many questions or as few questions as you have to, to get your
interviewee to make relevant and useful comments to your
listener. That means you are responsible for a number of
things.
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You coach the interviewee to sound acceptable on the
microphone.
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You ask the interviewee questions to elicit comments. That
means if they clam up, you need to prompt or push them to
come up with answers.
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If your interviewee is a chatterbox, you can sit back and
let her or him talk. However, if she or he goes off track,
your role is to jump in and bring the comments back on
track.
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The questions you ask are on behalf of your listeners. They
should not be questions that reflect your hobby, opinions or
interests. Your role is to represent the listener to your
interviewee.
A Few Comments on the Interview Relationship
When you interview someone for audio, you are adding a few more
responsibilities to the process. Your first purpose is to get
them to say something newsworthy. But your second is to make
sure they sound good on audio.
You are responsible for making your guest feel at ease. The
microphone can threaten some people. So before you start asking
questions, you need to develop a rapport that puts them at ease
to answer your questions.
You need to listen to their responses from an audio
perspective. Think about the characteristics of audio.
Expression should be encouraged. But make sure that what your
interviewee says is easy on the ears.
You’ll remember our discussions in writing for audio that
expressions like “attacks on tourists,” can sound like “a tax on
tourists.” Listen for expressions like this. When your
interviewee uses expressions that could be easily confused, ask
them to clarify the expressions.
Don’t put words into your interviewee’s mouth. Closed questions
take the magic out of an audio interview and it sounds clumsy
for an interviewer to be asking, “So you really don’t think it
was a successful outcome?” when you could ask, “How successful
was the outcome?” This second question could elicit the
responses, “It was awful,” or “We failed to meet our targets,”
which make great audio.
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